VISIBLE. INVISIBLE. CERTAIN MEMORIES CAN NEVER FADE. 

This work examines the relationship between memory, perception, and the passage of time.

As time progresses, fragments of memory gradually fade or disappear, leaving traces that resist clear definition. The work explores the shifting boundary between what is visible and what remains invisible, considering how perception operates within the uncertainty of recollection.

Printmaking serves as the primary medium. Through the repetition of carved marks—alternating in depth and rhythm—the work reconstructs partial forms drawn from fading familiarity. Areas of blankness function as temporal intervals, allowing thoughts to move between presence and absence. Within this space, faint forms emerge, suggesting that what has been lost continues to exist in altered form.

Viewers encounter a tension between visibility and obscurity, between revelation and concealment. The work invites reflection on the coexistence of memory and erasure, and on how perception of the present may depend upon elements that have already faded from view.